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Bob Dylan 981018 in Saskatoon, Saskatchewan



Subject: Saskatoon, SK 18/10/98
From: (vic.begrand@sk.sympatico.ca)
Date: Mon, 19 Oct 1998 07:03:53 GMT

There wasn't quite the amount of excitement in the city as I thought
there would be as I prepared for my first ever Dylan show...Saskatoon,
which is a totally puritanical, right-wing, un-hip city, could only
muster up around 4 to 5,000 people for tonight's show. Needless to say
there were plenty of empty seats in the upper reaches of the arena.

And they weren't all there for Bob. Opening act Jann Arden had about as
much drawing power as the headliner, and the crowd was very excited when
she started her 45-minute set. Arden has a very loyal following on the
Prairies, and almost all her songs were greeted with enthusiastic
applause. I'm not totally into her music, but she won me over with her
charm and hilarious banter with the crowd (looking at the hordes of
needless security lunkheads along the edge of the stage, she said, "Do
we really need all this security?...well, I am sick to death of being
mobbed."). Her best line was directed towards Bob: "So you're wondering
how I got this gig, huh? Well, me and Bob have been involved for quite
some time now. It's sooooo heavy...we're spendng all our time on a great
big brass bed...It's fuckin' amazing!"

After a too-brief intermission (the crowd was caught unawares and were
scrambling to their seats for five minutes) Bob & the guys made their
way to the stage.

GOTTA SERVE SOMEBODY
I was delighted to hear this song...I was hoping it would be this
instead of 'Leopard Skin Pill-Box Hat'. I've never heard the current
version before...it had a more driving beat to it than the original
version. Bob came out reserved...the crowd sat.

I'LL REMEMBER YOU
The only one I wasn't familiar with...was excellent, though. The crowd
sat.

COLD IRONS BOUND
Amazing performance. Bob started moving around a bit, but the dead
Saskatoon crowd sat some more.

JUST LIKE A WOMAN
Beautiful version of the classic song...Bob played a two-minute harp
solo at the beginning, to lots of cheers. I thought this version was a
whole lot better than the ones done at MSG back in January. It was
obvious Bob was in a good mood, and the crowd cheered appreciatively,
but still sat.

SILVIO
Was Silvio. Great song...I still love the tempo change near the end.
I'll never get sick of that song. Bob started dancing around like he
does, but to no avail. The crowd sat.

IT TAKES A LOT TO LAUGH, IT TAKES A TRAIN TO CRY
Wonderful surprise! One of my absolute favorites...the band slowed it
down a touch, and ground it out over about six minutes. Very loud, VERY
tight, and brilliantly mixed: the sound guy deserved a lot of credit
tonight. Amazing song. The crowd sat, unfortunately.

THE TIMES THEY ARE A-CHANGIN'
Another harp solo at the intro. Great performance. Nicely enunciated!
Went over very well, but the crowd sat. And sat. And sat.

MASTERS OF WAR
Fierce performance. The last verse was vicious, with Bob growling the
last lines. Crowd sat.

DON'T THINK TWICE, IT'S ALRIGHT
Another very pleasant surprise! I love the song, and so did the majority
of the audience. Not enough to make them stand, however. Tony ditched
the upright bass and went to the regular (and infinitely smaller)
acoustic bass guitar. David had the brushes going, and the song had more
of an upbeat, country feel to it.

TANGLED UP IN BLUE
Was TUIB. My absolute favorite. Just like all the other performances
recently, which is just fine with me! Crowd cheered exuberantly, but
sat.

BALLAD OF A THIN MAN
YET another big big surprise! Once the LOUD guitars started, they seemed
to ignite the crowd. The crowd stood. The crowd cheered. The crowd
rushed the stage! When Bob wasn't sneering the lines of the song, he was
grinning at the crowd triumphantly, seeming to say, "Aha, NOW I got you
up!" He really started hamming it up from then on. The performance was
incredible. Still sounds as acerbic and angry as ever.

HIGHWAY 61 REVISITED
Obviously Bob didn't want to lose any momentum. He had worked hard
enough getting the audience involved, so the band chugged away fiecely
at the classic tune. Bob really started moving during this one, looking
like he was enjoying himself.

LOVE SICK
Was Love Sick. Great version of the best song on TOOM.

RAINY DAY WOMEN
I don't have to say this had everyone moving...not my absolute favorite,
but it did raise the roof.

BLOWIN' IN THE WIND
Nice version...Bob now had the crowd in the palm of his hands.

'TIL I FELL IN LOVE WITH YOU
There had to be at least one more new one...awesome bluesy performance.

FOREVER YOUNG
The seventeenth straight brilliant performance...we were all begging for
more at the end, but much to our dismay, the house lights went up.

All in all, a wonderful time was had by all, and it was a night I'll
never forget. Although I wanted to hear new stuff like 'Can't Wait' and
'Million Miles', I should consider myself lucky Bob whipped out a couple
more classics instead. Clearly this was more of a "best-of" show...the
reserved crowd, which is constantly fed a diet of geezer-pleaser classic
rock on all Saskatoon's subpar radio stations, were not familiar at all
with Bob's wonderful TOOM.

As I walked out of the arena to the car, looking at the vibrant,
swirling turqoise northern lights ahead covering the entire northern sky
(beatifically hearing vague traces of skipping reels of rhyme), there
was no doubting I had the time of my life.

Adrien Begrand

May - June - July - August - September - October - 1998 setlists

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